2009: The Night the Armor Sang

“It was the only time I’ve heard Glamour hum in perfect unison with steel.”
Fillion, scribe to Baron Veylon ap Liam

On the night of September 26, 2009, the Cleveland Museum of Art held a private gala to celebrate the near completion of its extensive renovation project. Unbeknownst to the mortal curators, the Armor Court's chimerical twin — a once-dormant battlefield of legend — awakened fully for the first time in nearly a century.

The cause? A confluence of factors:

  • A cluster of exceptionally potent Dreamers in attendance, including a sculptor, a string quartet, and a child obsessed with medieval history, all unknowingly emanating intense Glamour.
  • The presence of Sir Astavon ap Beaumayn, Duke Gerrard’s prophetic emissary, who had insisted on attending,
  • A rare astronomical alignment — one rumored to thin the veil between Cleveland and a long-sealed trod beneath the Museum’s foundation.

At the stroke of midnight, the suits of armor on display began to resonate with distinct, harmonic tones — a musical composition no fae had ever heard before, and none have managed to replicate since.


Fae Reactions and Aftermath

  • Baron Veylon ap Liam declared it a sign that Doan’s Corners would become Concordia’s sanctuary of Enlightened Beauty — a court where mortal and fae artistry could intertwine in peace.
  • For several weeks afterward, Kithain reported spontaneous flashes of memory, including Remembrances tied to past incarnations in the Shining Host or ancient fae wars — a phenomenon that has yet to recur.
  • Lady Angelica Fleming, the Baron’s knight and enforcer, spent days afterward guarding the suits of armor, wary of “what else might come back through.”
  • Some whisper that a new chimera — a glowing, voiceless warden made of articulated brass — now wanders the hidden Dreaming passages beneath the museum, protecting the Armor Court trod.

Courtly Intrigue

  • The Verdant Gala of 2010 (held at Severance Hall) was the most lavish in recent memory and featured a dramatic interpretive piece titled Iron Remembers the Soul — believed to be inspired by the event.
  • Miss Jessa Slipknot is known to have called the affair “one long Seelie snooze with shiny pants,” but was later seen sketching the chimera’s form on a cocktail napkin.

This night remains one of the great Seelie victories in the modern history of Forest City County — a reminder that Glamour does not only bloom in rebellion or revels, but sometimes in stillness, elegance, and the quiet majesty of history reawakened.


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