The Ancient Language

Thammundraian, the language of the Fire Age, was a grandiose and deeply spiritual tongue that reflected the unique culture of the time. This language was primarily spoken by the civilizations that existed before the Split of Thammundra into Arailia and Vesyria. It was deeply intertwined with the sacred bond between dragons and their riders, and it reflected a society that worshipped both the celestial and the elemental forces. Thammundraian was used not only in everyday life but also in rituals, ceremonies, and royal governance, where its grandeur and formality were crucial to maintaining social order and spiritual reverence.

Writing System

Thammundraian uses a cuneiform-based script, which is commonly inscribed on clay tablets, stone, or other durable materials. The script is composed of wedge-shaped symbols that represent both phonetic sounds and entire concepts. For example, the word Azrath (dragon) would be represented by a series of symbols that combine phonetic elements and a symbol for the divine.   Logograms:   • These are symbols that represent entire words or concepts, often used in ceremonial or royal texts. For instance, Azrath (dragon) and Klarith (soul bond) are likely to be represented as logograms.   Syllabic Writing:   • Thammundraian also uses syllabic characters that represent individual syllables. For example, a symbol for the syllable ka might appear in various words such as Klarith (soul union) or Azrathka (dragon egg).

Geographical Distribution

The Thammundraian language, primarily spoken during the Fire Age, was central to the culture and governance of the kingdoms that emerged in the aftermath of the Great Split of Valthor. It was used by those with a deep spiritual connection to dragons, royalty, and the divine forces.   1. Azrath’shar (The Dragon Kingdoms)   • Location: Mountainous and highland regions, where dragons nest and bond with their riders. • Description: The language of Thammundraian would have been most prevalent in areas that held sacred dragon nests, where the royal families and dragon riders resided. These regions, known for their spiritual significance, were central to dragon bonding ceremonies. The Dragon’s Nest (Azrath’shar) was the cultural heart where the first dragons hatched, and the language served as a bridge between the dragons and their riders. • Key Areas: High mountains, volcanic islands, and ziggurats that served as sacred grounds.   2. Rhul’shin (The Kingdoms of the Kings)   • Location: Central plains, where the kingdom’s political and royal power was solidified. • Description: The language was formalized in governance, primarily spoken by the royal family and nobility. The use of Thammundraian here symbolized the sacred bond between the monarchy and the dragons they controlled. Thammundraian was used during royal ceremonies, rites of passage, and in the courts for diplomatic discussions. • Key Areas: Capital cities, palaces, and governing regions where monarchs held authority.   3. Rhal’shin (The Sacred Kingdoms)   • Location: Areas known for religious significance and spiritual power. • Description: In the sacred realms, where the worship of dragons and the divine was of utmost importance, Thammundraian was used in religious rituals and prayers to the gods. Sacred temples and ziggurats, dedicated to the dragons and gods, held rituals where the language was crucial to the spiritual life of the people. • Key Areas: Temples, ziggurats, and holy places dedicated to dragon worship and divine rites.   4. Thalru’shar (Queen’s Realm)   • Location: Fertile river valleys and agricultural lands, extending from the royal palaces to the surrounding provinces. • Description: The language of Thammundraian was also spoken in the regions governed by the Queen, where royal lineage and divine connection to dragons were emphasized. These regions, crucial for food production and sustaining the kingdom’s wealth, adopted Thammundraian as a means of connecting to both the royal family and the divine. • Key Areas: Agricultural lands, royal estates, and marketplaces.   5. Faryshar’shar (The Warrior’s Territory)   • Location: Borderlands and military strongholds where dragon riders and warriors trained. • Description: Thammundraian was essential in military governance, where warriors trained and bonded with their dragons. It was the language of battle commands and military discipline, ensuring that the sacred bond between dragon riders and dragons remained unbroken in the face of war. • Key Areas: Fortresses, training grounds, and battlefronts where dragon riders were stationed.   6. Mor’dak Territories (Land of the Darklings)   • Location: Dark, secluded regions known for the presence of Darklings and corrupted forces. • Description: While the Darklings used a corrupted form of language, Thammundraian’s influence would still be found in the scriptures and writings of those who lived in opposition to the Stygian forces. The language was also used in rituals to contain or battle the darkness. • Key Areas: Isolated lands, dark caves, and forgotten temples.

Phonology

The phonology of Thammundraian is designed to convey grandeur and spiritual reverence, with strong consonants and flowing vowels. The sounds are meant to evoke the celestial and divine, reflecting both the sacred nature of the language and its functional use in governance and warfare.   Consonants:   • Strong consonants are common, with a focus on crisp, clear sounds such as k, r, l, t, and z. These consonants reflect the power and authority of the language. • The ch sound (as in “loch”) may be used for deep, guttural tones, while the sh sound conveys softness, often reserved for spiritual terms.   Vowels:   • Long vowels like a, e, o, and u are commonly used, particularly in ceremonial or divine contexts. These vowels are intended to convey both grandeur and reverence. • Short vowels are used more in everyday speech and practical functions, and help to contrast the more formal and sacred usage.   Syllable Structure:   • Thammundraian typically uses combinations of open syllables (consonant-vowel, like “ka,” “ra,” “la”) and closed syllables (consonant-vowel-consonant, like “rak,” “tal”). • Syllables are generally simple but may be elongated in formal or sacred contexts.   Stress and Intonation:   • Stress is typically placed on the penultimate syllable of a word. • Intonation rises toward the end of a sentence, often used to indicate spiritual significance or commands.

Morphology

Morphology of Thammundraian:   The morphology of Thammundraian involves the use of prefixes, suffixes, and root words to convey meaning. The language is agglutinative, meaning that new meanings and nuances are created by adding affixes to root words. This allows for the creation of complex and meaningful expressions, particularly in ritual contexts.   Word Roots:   • Root Words: Roots often come from spiritual or elemental concepts. For instance, Azrath (dragon) and Rhul (king) are central to the language’s identity. • Compound Words: Thammundraian makes heavy use of compound words, especially in ceremonial contexts. For example, Azrathka (dragon egg) is derived from Azrath (dragon) + ka (egg).   Affixes:   • Prefixes: Used to modify tense or indicate specific qualities, such as Seru- meaning “sacred ceremony” and Rhal- indicating “unity.” • Suffixes: Often indicate possession or union. For example, -sha is used to indicate possession, such as Akkal-sha (my soul).   Verb Conjugation:   • Thammundraian uses different suffixes and prefixes to indicate tense and mood. • Present tense: Root verb + appropriate tense marker (e.g., Val’krathak – “I bond now”) • Past tense: Root verb + -ar or -or (e.g., Val’krathar – “I have bonded”) • Future tense: Prefix Seru- or Nayr- for future action (e.g., Seru’krathal – “I will bond”)

Syntax

Thammundraian generally follows a Subject-Object-Verb (SOV) order, reflecting its formal, ceremonial nature. However, the sentence structure can shift to place more emphasis on certain parts of a sentence depending on context or ceremony.   Basic Sentence Structure (SOV):   • Example: “The kingdom is protected by the riders and their dragons.” • Rhul’shin rhul vakrath faryshar. (Literally: ‘Kingdom king riders dragon.’)   Emphasis and Variations:   • Emphasis on the Action: The verb may be repeated or isolated for focus, such as Val’krath-reth (I bond completely). • Emphasis on the Object: The object can be moved to the beginning of a sentence for emphasis, such as Azrath, klarith seru’nal (Dragon, soul bond sacred ceremony).

Vocabulary

Pronouns   • I (First Person Singular) = Akkal (Root: Akk (soul) + al (self)) • You (Second Person Singular, informal) = Kesh • You (Second Person Singular, formal) = Ishra • He/She/It (Third Person Singular) = Farysh (Root: Far (being) + ysh (the essence)) • We (First Person Plural, inclusive) = Rhal • They (Third Person Plural) = Faryshar   Possessive Pronouns   • My = Akkal-sha • Your (informal) = Kesh-sha • Your (formal) = Ishra-sha • His/Her/Its = Farysh-sha • Our = Rhal-sha • Their = Faryshar-sha   Dragon-Rider Bonding Vocabulary   • Dragon = Azrath (Root: Az (sky, heaven) + rath (soul, spirit)) • Soul Bond = Klarith (Root: Klar (soul) + ith (union)) • Dragon Rider = Valkrath (Root: Val (rider, protector) + krath (bond)) • Dragon Egg = Azrathka (Root: Azrath (dragon) + ka (egg)) • Rite of Passage (Royal Ceremony) = Seru’nal (Root: Seru (passage) + nal (sacred ceremony)) • Nest of the Dragons = Azrath’shar (Root: Azrath (dragon) + shar (home, nest)) • Bonded Rider = Valkrathi (Root: Valkrath (dragon rider) + i (suffix for bonded))   Words Related to Royalty and Governance   • King = Rhul (Root: Rhu (ruler) + l (king)) • Queen = Thalru (Root: Thal (noble) + ru (essence, power)) • Prince/Princess = Sarhal (Root: Sar (noble) + hal (born)) • Kingdom = Rhul’shin (Root: Rhul (king) + shin (territory, land))   Words for Darklings and Stygian Creatures   • Darkling = Mor’drak (Root: Mor (dark) + drak (demon, evil)) • Stygian Creature = Zyroth (Root: Zyr (shadow, void) + oth (beast, creature)) • Nightmare (Created by Darklings) = Khal’dar (Root: Khal (night, darkness) + dar (dream))   Words for Past Life and Next Life at Death   • Past Life = Kalnara (Root: Kal (time, history) + nara (life, essence)) • Next Life (after death) = Nayrath (Root: Nay (future, beyond) + rath (life, soul))

Phonetics

The phonetics of Thammundraian focus on clear, powerful sounds that are easy to pronounce yet carry weight. The language’s sound system supports its ceremonial and authoritative tone.   Vowels:   • Long vowels such as a, e, i, o, and u are commonly used and help to evoke a sense of grandeur. For example, Azrath (dragon) uses a long a to create an open, strong sound.   Consonants:   • Thammundraian makes heavy use of consonants like r, l, and k, which are often used in words that convey power, such as Rhul (king) and Valkrath (dragon rider).

Tenses

The Thammundraian verb system is straightforward but includes specific markers for tense and aspect that are vital in ceremonial language.   Present Tense:   • The present tense is indicated by simple verb conjugation with no additional affixes or prefixes. For example, Val’krath (I bond).   Past Tense:   • For the past, Thammundraian uses the suffix -ar or -or to mark completed actions. For example, Val’krathar (I have bonded).   Future Tense:   • The future tense uses prefixes such as Seru- (sacred future) or Nayr- (next life). For example, Seru’krathal (I will bond).

Sentence Structure

Thammundraian follows a Subject-Object-Verb (SOV) order for the most part, with variations based on the sentence’s focus. • Example 1: Farysh vakrath azrath’ka – “The dragon protects the rider.” • (Subject: Farysh - dragon, Object: vakrath - rider, Verb: azrath’ka - protects) • Example 2: Rhul’shin rhul vakrath faryshar – “The kingdom is protected by the riders and their dragons.” • (Subject: Rhul’shin - kingdom, Object: rhul - king, Verb: vakrath - riders, faryshar - dragons)

Adjective Order

In Thammundraian, adjectives generally precede nouns, but the word order can vary for emphasis, particularly in ceremonial contexts. • Example: Azrath klarith – “Dragon soul bond.” • (Adjective: klarith - soul bond, Noun: Azrath - dragon)

Structural Markers

Thammundraian uses specific markers to denote tense, possession, and honorifics. • Tense Markers: -ar (past), -al (future), -ak (present). • Possessive Marker: -sha (used to indicate possession, e.g., Akkal-sha - my soul). • Honorific Marker: -ith (used to show respect, especially toward elders or royalty, e.g., Ishra-ith - Your Majesty).
Key Concepts   • Sacred Bond – The deep spiritual connection between the rider and their dragon. • Rite of Passage – The royal ceremony where a dragon egg is chosen by the heir, marking the beginning of their dragon bond. • Dragon Vocabulary – Explore terms related to dragons, including their eggs, their nests, and the bonding ceremony. Fun Facts   • The language was heavily influenced by ancient Mesopotamian structures, particularly Sumerian and Akkadian. • Thammundraian is considered a spiritual language, often used in royal ceremonies and dragon rituals. • The connection between the rider and the dragon is represented through language and spiritual terms, making the Thammundraian vocabulary particularly unique. Important Terms   • Valkrath: Dragon Rider – One who shares the soul bond with a dragon. • Azrath: Dragon – The divine creatures whose spirits are intertwined with those of the royal riders. • Mor’drak: Darkling – A terrifying creature born of darkness and chaos. • Klarith: Soul Bond – The sacred union between rider and dragon.

Dictionary

23 Words.
Root Languages
Successor Languages
Spoken by
Common Phrases
• The dragon riders share the sacred bond of the soul. = Valkrath seru’nal klarith (Literally: Rider passage soul union.) • The kingdom is protected by the riders and their dragons. = Rhul’shin rhul vakrath faryshar (Literally: Kingdom king riders dragon.) • The darklings came from the shadows to destroy the royal bloodline. = Mor’drak zyroth azrath’ka khor (Literally: Darklings shadow creatures dragon eggs destroy.) • I am always with you. = Akkal thara’na kesh (Literally: Soul always with you.) • I am always with you, even through past lives. = Akkal thara’na kesh, kalnara kesh (Literally: Soul always with you, past life you.) • Death is but a transition to the next life. = Dhyath seru’nal nayrath (Literally: Death passage future life.) • Our souls are connected across many lives. = Akkal thara’na kalnara nayrath (Literally: Soul always past life future life.)
Common Female Names
1. Brina Meaning: Radiant Light or Flame-Born Root: Brina (light of the first dawn) Symbolizing purity and power. 2. Thalira Meaning: Noble Essence Root: Thal (noble) + ira (essence, power) Represents wisdom and leadership. 3. Saritha Meaning: Sacred Path Root: Sar (noble) + ith (path) Implies a journey of spiritual growth and leadership. 4. Azritha Meaning: Light of the Dragon Root: Azrath (dragon) + ith (light) A name for those with strong connections to dragons. 5. Keshira Meaning: The Dawn’s Blessing Root: Kesh (you, informal) + ira (blessing) A name that invokes new beginnings and blessings. 6. Rhalira Meaning: United Light Root: Rhal (unity) + ira (light) A name symbolizing unity among dragon-riders and kingdoms.
Common Male Names
1. Brinadros Meaning: Champion of the Flame or Warrior of the Light Root: Brina (light of the first dawn) + dros (warrior, champion) Tied to heroism, destiny, and connection to fire or celestial forces. 2. Rhul Meaning: King Root: Rhu (ruler) + l (king) A title associated with dragon-bonded monarchs. 3. Faryshar Meaning: One Who Transcends Root: Farysh (essence, divine being) + ar (suffix for plural, transcendent being) Refers to a revered leader or individual who transcends earthly limitations. 4. Valkrath Meaning: Dragon Rider Root: Val (rider) + krath (bond) A person who shares a soul bond with a dragon. 5. Thalru Meaning: Noble Power Root: Thal (noble) + ru (essence, power) The counterpart to the queen, revered for wisdom and leadership. 6. Khoran Meaning: The One Who Protects Root: Khor (protection) + an (suffix for noble warrior) A name for warriors and protectors of the kingdom.
Common Unisex Names
1. Azrathka Meaning: Dragon Egg, Symbolizing New Beginnings Root: Azrath (dragon) + ka (egg) This name represents the potential for the sacred bond between dragon and rider. 2. Klarith Meaning: Soul Bond Root: Klar (soul) + ith (union) Used for those bonded to dragons, transcending life and death. 3. Rhalith Meaning: United Spirit Root: Rhal (unity) + ith (bond, soul) Implies the unity and spiritual connection of bonded riders. 4. Mor’drak Meaning: Darkling Root: Mor (dark) + drak (evil, demon) Used for those born under shadowed circumstances or dark figures in society. 5. Valkri Meaning: Soul Rider Root: Valkrath (dragon rider) + i (bonded) A title for one who has bonded with a dragon, signifying shared life. 6. Nayrath Meaning: Next Life Root: Nay (future, beyond) + rath (life, soul) Implies a belief in reincarnation and the eternal journey of the soul.
Common Family Names
1. Son/Daughter of Rhul Meaning: Child of the King (Rhul is the term for King in Thammundraian) This would be used for the royal family members or those directly connected to a monarch. 2. Son/Daughter of Azrath Meaning: Child of the Dragon A common title for those born from a dragon rider, indicating the sacred bond between dragon and rider. 3. Son/Daughter of Farysh Meaning: Child of the Essence A title used for those born with a strong spiritual connection to the world or a revered figure, usually associated with dragon riders or those chosen by the gods. 4. Son/Daughter of Valkrath Meaning: Child of the Dragon Rider This refers to a person born to a dragon rider, denoting their inherited bond with dragons. 5. Son/Daughter of Thalru Meaning: Child of the Queen This is used for royal lineage, especially for those directly descended from a queen (Thalru means “queen” in Thammundraian). 6. Son/Daughter of Rhalith Meaning: Child of the United Spirit A name given to individuals descended from revered dragon-bonded lineages. 7. Son/Daughter of Mor’drak Meaning: Child of the Darkling A title used by those descended from individuals with dark, shadowy backgrounds, often implying some dark heritage or connection to the Mor’drak (Darklings).

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