Ótaš-Ašamóš

The Ótaš-Ašamóš is an artstyle, and later an architectural style, heavily associated with Ašamóš its inventor, the Ïlýrhonid Tribe, and the Ýlëntuk Family in particular. It comprises the use of scraps, debris, and other irregular items to create a structure whose stability is rooted in having each piece lean against and rely upon all other pieces. As such, these were dynamic and relatively fluid in shape and appearance, not only because of the necessity for many different such objects to balance everything to a precise degree, but also because the sculpture or building was made to shift, to readjust as the surroundings, particularly the wind, affected it.

The style saw by far the most use in the Ïlýrhonid Tribe itself, especially during the Ýmor-Šapariž, as the sheer abundance of debris rendered it especially useful for cleanup and recover efforts in the midst of the natural disasters that occurred. Famously, the Ëzó-Rhegarhifiŋ, the building housing the Alaghúl-Garhifiŋ, was rebuilt in this style as befit the practical and symbolic implications associated with it. Additionally, the style has seen limited use outside the tribe, particularly in the windswept areas of the eastern Hýyó-Hayïd cities, as an initial stage of the Ótaš-Hayïd.