The Eldritch Moon
The Eldritch Moon is an astronomical phenomenon first observed during the Dragon Wars, and it has continued to appear two or three times a year ever since. It is widely believed to be the result of a ritual performed by the Cult of the Leviathan - though no one can say exactly when it was done, or to what end. Many fear that the true purpose of the Eldritch Moon is to weaken the walls that separate the world from the Beyond, and that each appearance brings us one step closer to apocalypse.
The Eldritch Moon appears only during a full moon, but its arrival is otherwise unpredictable. When it rises, its presence is unmistakable. It shines more brightly than any mundane moon, yet it fails to truly illuminate the world below. Instead, its light is cold and uncanny, casting deep, unnatural shadows with razor-sharp edges - sharp enough, they say, to cut the skin of the world.
Madness and Monsters
When the Eldritch Moon hangs in the sky, the world below begins to unravel. Its steely light reveals things not seen under ordinary illumination - or perhaps reveals what should not be seen. Some believe these visions are always there but hidden; others claim the Moon summons them into existence.
Words twist into alien sigils. Familiar faces flicker and change, revealing strange features beneath the surface. In the deepest shadows, monsters slither through rents in the world, hunting until the cursed light finally dips below the horizon. Those who gaze too long into the Eldritch Moon often question their own senses. More than a few lose them entirely, waking at dawn with blood in their mouths and no memory of the night before.
Shadows, too, become untrustworthy. Under the Moon's influence, they move on their own - and sometimes break free from the objects or people that cast them.
A Variable Curse
The impact of the Eldritch Moon is neither constant nor uniform. Its influence varies by place and by hour, responding to the scars left upon the world.
It is most dangerous in regions shattered by the Dragon Wars. There, amid the ruined cities and battle-blasted landscapes, the residue of a thousand curses stirs beneath the unnatural light. Scenes from the war may play out again - not in memory, but in shadow and blood. Ghosts do not rise, but echoes of slaughter replay themselves on loop, sometimes dragging the living into their rhythm.
In untouched regions - such as the island of Albion - the effects are less lethal, but no less uncanny. Signs may briefly display unpronounceable names, the shadows of trees may strain at their roots, and one might glimpse wrongness in puddles or mirrors. Still, a wide-brimmed hat and lowered eyes are enough to shield the cautious from the worst of it - so long as they do not look directly into the moon's gaze.
The Moon's strength is not constant throughout the night. Its influence builds, hour by hour, reaching its height in the third hour after midnight - a time widely known as the Cursed Hour, or the Witching Hour.
During this time, the world becomes strangely elastic. The landscape shifts. Paths open that were never there before. Doors appear in walls, trees, rivers - leading to places no one can map.
Only the reckless - or the desperate - venture out during the Cursed Hour beneath the Eldritch Moon. And those who return are often... different. Changed. Sometimes they speak in riddles. Sometimes they do not speak at all.
And sometimes, they cast two shadows.
The Eldritch Muse
Not all who gaze upon the Eldritch Moon are driven to madness. Some are driven to create. For a rare and haunted few, the Moon's strange light serves as a well of inspiration. Artists, poets, and composers sometimes walk willingly into its glow, seeking ideas beyond the limits of imagination. What they return with is rarely understood - but often unforgettable.
The first and most infamous of these works is a slim, anonymously published volume titled Poems to a Second Moon, released shortly after the Moon's initial appearance in 1812. Its verses are peculiar - rhymes nearly align but tug at the tongue like thread through skin. Those who read the poems aloud report their mouths betraying them: strange syllables force themselves forward, and unspeakable words emerge unbidden. Readers frequently suffer disturbing dreams afterward. And yet, the book clings to the mind. For many, its horrors become a kind of beauty - terrible at first, but slowly blooming into something sublime.
Since then, dozens of moon-born works have emerged:
- Paintings in colors no pigment can reproduce
- Sculptures that seem to shift slightly when unobserved
- Novels with missing chapters that appear after re-reading
- Poems written in nonexistent languages that still evoke weeping
There are whispers of a song, composed under the Eldritch Moon, said to be the most beautiful melody ever created. Those who have heard it claim that all other music becomes worthless noise by comparison.
One persistent rumor holds that a private club in Lundeinjon has collected these creations - "Moonlit Art" - and displays them in a locked basement gallery, accessible only to its most elite members. The name of the club varies with each telling, but if such a gallery exists... one must ask what becomes of the minds of those who linger there too long.
The excerpt reminds me of Spring-Heeled Jack. Any inspiration there? I love the idea of art "born" under the Moon that's just... different.
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I was thinking of Spring-Heeled Jack, yep. Although my version is going to be blending with another Jack soon in an upcoming article quote. Eldritch art was fun to imagine.