The Eden Chroniclers
With argus leading the way, we rush through the pure white halls of the facility. Alarms begin to sound, high pitch wails more that sound more like screams the longer I listen. Argus calls out and reaches out her arm, "Nox." The draugr takes her hand. It shifts and twitches, then its body melts. It crawls with alarming speed, covering Argus from head to toe before hardening once more. When we reach the dock, the ship is ready to fly. The docking bay is empty, save for a few shipping containers lining the walls. This feels too easy, and it seems Fraeia feels the same. "We won't make it off world," they say. "They have planetary defenses." "Taken care of." Argus stares at the door as if waiting for something. "Go on. Dock with my ship in orbit, The Olympus. I'll escort you out of the system. It's already waiting for you." Fraeia nods. "We need five minutes at the most to get the ship off the ground. No offense but human ships-" "I can give you ten," Argus replies. She takes a step toward the entrance of the dock, a massive steel door. Fraeia backs away and rushes into the ship behind me. I head to the cockpit and prepare the engines for flight. The great door above opens up and waves of rain flood the dock below, slowly draining through vents that no doubt fill the facility's water reserves. The ride is bumpy but we make it into orbit easily enough. The shaking stops and for a brief moment, all we hear is silence. Something catches my eye when I activate the panoramic view. I expected a shimmer, some faint glint of light to indicate the presence of another ship. What I see instead is a void, a ship-like shape that somehow appears more empty than the space it floats in. I check the transponder and it's like Argus said. It's a cruiser class warship, though it's smaller than cruisers tend to be. The shape is the most bizarre feature of the vessel, both curved and angled, smooth and jagged. There's next to no symmetry in its design, as if the plans were drawn by a broken mind. The hull is painted pitch black, the kind of black that absorbs most light. It's a clever trick when heat dampening doesn't cut it. You can hide from scanners and radar easily enough but the eye is not so easily deceived. When parked above a potentially hostile world, it makes sense to make yourself hard to see. It takes Fraeia much longer to see it, which surprises me. When they do they point. "There, an Affliction class. That's a Chronicler ship." "The Olympus." I reply. I check our communications and smile. "It's already sending us docking protocols."No Loose EndsArgus feels the warmth, the embrace of the suit around her. She waits, though her patience wears thin. No loose ends. The lights flicker and die, shrouding the room in darkness. Argus smiles. Poor things. They think they're safe in the dark. A chipper voice rings out in her ear, a man's voice. "Chronicler Bors, Our guests have arrived and we await your return." "Well done." Argus replies. The faint sound of frantic footsteps echoes down the hall beyond the massive steel doors. "Send Chiron to pick me up. I'm almost done here." "Understood." Argus stands motionless as the doors open. Argus counts the shades as they enter the dock, twelve soldiers clear the room yet walk by the draugr without even realizing it's there. They scan every book and cranny, unknowingly positioning themselves right where she wants them. The matriarch, Argus' primary target, waits by the entrance with three members of medical staff. "Nox, let's make this quick. We're late." The suit writhes in response and Argus feels the needles as they prick her skin. Combat stims, cellular enhancers, and an assortment of other chemical concoctions race through her veins. Time slows to a crawl, and Argus makes her move. She takes a casual step forward. Her body slides out of the suit, bursting forth with her Dobha in hand. The blade sings as it exits the sheath, and everyone hears it. The soldiers turn at the sound, the matriarch looks up and uncrosses their arms, reaching for her own blade, and the medical staff turn to run in fear. The draugr transforms. The humanoid body breaks apart, the pieces melting together and flying out in black threads toward the soldiers. They fire back, the rounds exiting the barrel in a white flash and carried on rainbow trails in all directions. Argus tries not to watch. It's brutal, the squelching and screams alone could prove that. It's rare to hear screams from the eden, even when several soldiers meet their death. The matriarch draws their blade and raises it to defend themselves. The stance is outdated, or at least it will be. Argus ducks down, and drives her blade into their leg. When they try to strike back, argus gives the blade a twist and tug to remove it. She blocks the attack, and makes a quick cut to the Matriarch's wrist. Argus smiles as the matriarch takes the knife in their other hand. They lunge forward, and the knife finds its mark. Argus feels the sting as the knife cleaves through her shoulder, a calculated sacrifice. In landing the blow, the matriarch leaves themselves open. By the time Argus can feel the pain, her own blade lands a killing blow. The Dobha pierces the matriarch's heart. They stare at Argus with wide eyes. They die in shock and confusion. The first is a reaction to betrayal. The latter comes from a question. How could a human be capable of killing an immortal? Argus turns as the body falls to the ground. She's thankful for the darkness that hides the horror as the draugr feeds. Argus sheaths the blade, and opens the doors above. Rain floods the room once more, washing away the blood and death. Chiron waits, an automated transport. The hull is rigid, its shape reminding her of a shard of glass. It lands with it's door already open. Argus enters and the draugr follows close behind. When finally offworld, Argus gives a sigh of relief. It's almost over. One more task to complete...
Passing time
Lebhni Watchers
Who watches the watchers?
Responsibility
In war
In study
In faith
Tools of the trade
Much like our responsibilities, our tools are just as varied.- The black garb: our suits are sleek, skin tight, and made of a carbon nanomaterial stronger yet lighter than steel. This is nothing new, but it's considered light armor in contrast to what most Eden soldiers wear.
- Temporal emitters: Don't get any ideas. We can't speed up or slow down time. Do you know how many mistakes I could just wipe away? No. Temporal emission is the process of slightly altering the gravitational field our bodies make. Being able to isolate singularities has its perks. It takes advantage of relativity, and gives us the slightest little shift. It puts me less than a nanosecond ahead of everyone else. Believe me, that's all you really need.
- Draugr: biosuits are not ideal forms of technology, but you can't deny their effectiveness. There are far too many things that go wrong and yet, the draugr continues to impress. Draugr are native to the vigil I took, and if you're lucky, you can befriend one. Chroniclers are always searching for the next tool to add to their toolbox. If you manage to find a proper symbiotic match, you take it. It makes the journey a little less lonely.
- Locusts: Have you ever heard of grey goo? The locust is a small nanorobotic construct that breaks down biological material for repurposing. We use it to clear the dead from the battlefield once we've done our job but it's just as easy to kill two birds with one stone and just release them at the start of the battle instead. It's not pretty.
- Nanite plagues: Sometimes we want to finish a fight before it begins. Nanite plagues are just what the title says. We can release nanites in a planet's atmosphere. Each will have the means of simulating or even constructing particular contagions. We can even isolate those contagions and have them attack only specific members of the population. Its particularly useful in assassination.
- Bifrost rifles: It's the rainbow trail the rounds leave behind. I love watching it. The Eden use prism in everything so I thought the name fit the bill. A bifrost rifle is standard issue. Every Eden soldier has one. It's a railgun that fires tiny slivers of metal at roughly the speed of sound. The prism adds severe radiation poisoning on top of the physical damage.
- Drones: I've always loved drones, but the eden have something special. Their drones are autonomous, each with it's our personality and unique AI presets. These drones are the closest thing to friends a chronicler has. They have a myriad of uses as well. From recon and sample collection to combat and psychotherapy.
The ship's interior is bleak, oppressive. It's dark, impossible to navigate, and every time I turn a corner there's something that doesn't add up. The ship is old, ancient even by eden standards, yet the tech here is so beyond anything I've even heard of. Even the chairs we sit on could barely pass as comfortable. It's like the entire ship is designed to keep those inside on edge. Despite the oppressive atmosphere, the ship's crew, if you can call them that, Are lively and full of energy. We are constantly being greeted by floating orbs, their voices cheerful as they go about their business. The orbs are black, with names written across their frame in white. The first we met was named Athena, a security drone. The second was named Apollo, who seems to run the ship when Argus is away. When argus joins us, she does so in the company of a white orb that speaks with a woman's voice. "Do you want to talk about it, Francis?" Argus waves her hand as if to shoo the orb away. "Not now, Psyche. We have guests." She sits across from me and smiles. "Almost there." Fraeia crosses their arms and asks, "Where?" Argus sighs, their upbeat demeanor dissolving. The woman before us looks tired, a sadness over them I can't quite put into words. "Right, okay. I'm sorry if I seem scattered. I have one last thing to do before I go." "What happened to you?" I ask. She looks up at me and cocks her head, prompting me to be more specific, "You seem so different." "Time does that." She replies. "You know what I mean. What happened?" "I can't really say. It wouldn't make sense and you wouldn't believe me. I'm older than I look." She hangs her head and runs her hand through her hair. "We'll get you refueled and set you back on the right path. Don't worry. My failures aren't worth telling." "You're a chronicler though, an icon… a hero to an entire species." Argus looks me in the eye and shakes their head. "It has costs. I have to hide truths best left buried. I've been through hell and back. I've seen things, done things I'd rather forget. I was excited to become a chronicler but...." She gestures to the ship around us and chuckles. "When armed with the greatest tech there ever was and ever will be, it's easy to forget how fragile we are. I'm not an eden. I wish I never agreed to take the vigil." She shakes her head again and leans back in her seat. "Humans aren't designed to be heroes." She stands up and gestures to the docking bay. "It's time. I'm needed elsewhere." Fraeia nods and stands. I do the same. When I look Argus in the eye I see my own pain reflected back. It hits me then: this is a woman who's ready to die. I may never see her again. It reminds me of that day with Mouse on the spire. If even Argus, the most steadfast of all of us, can't go on living, then how could I hope to push through?ElysiumWhen the ship disembarks, argus moves to the bridge. Psyche hovers nearby, her endless questions proving to be more annoying than normal. Argus ignores them all the same, turning to Apollo who hovers on the far side of the bridge. "Apollo, I need you to lay in a course." "Where to?" "You know where." Argus replies with a knowing look. The orb hovers in silence for several moments before speaking, "Understood. Farewell, Chronicler Bors." "No need for goodbyes. The end is the beginning, after all." Argus takes a deep breath. "Prepare Chiron for launch."
In an unnamed system on a vigil world deep in eden space, a young woman named Argus sits in the cold snow. Her shelter is in ruins, the fire having gone out ages ago. She wonders if it will hurt, the death that sings so sweetly on the cold breeze as it nips her face. The first vigils were fine, but this? The vigil of soul is said to be the hardest to take and the hardest to explain. She was told to set up camp and wait. That's it. She will know if she succeeds. She spends her nights studying the faith, and her days with her eyes fixed to the horizon. She knows not what she waits for, or how long it will take. She only knows that she's almost out of time. She ponders removing the suit, to speed up the process and finally meet the inevitable end, but something keeps her from doing it. She could just quit, have them pick her up, but the shame of defeat would be too much. What would mom think? she asks herself. Just a little longer... I'm almost there. It's then that she hears signs of life, the crunch of snow as it packs down underfoot. She tries to peer through the screen of white, the blizzard that's been raging for days. She sees nothing, but as the sounds grow she sees a shadow appear. It's humanoid. That's a good sign Argus has been here for ages and hasn't said a word to anyone since her arrival. It would be nice to speak to someone again. The figure gets closer, waves when it sees Argus sitting in the snow, and sprints to close the remaining gap. They're wearing an eden suit, one designed to handle this frigid cold. It even has a helmet, unlike her own. The figure sits beside her and nudges her shoulder, speaking in a voice that almost sounded familiar, "Sorry, I'm late." Argus nods and tries to speak but can't seem to get the words out. It's as if her voice were frozen stiff as well. "I remember, don't worry." The figure pulls out a device, a rod with heating elements wrapped around the top. It activates and in moments, Argus feels a rush of warmth as the coils glow orange, to red, and then white. She can almost feel the bones thawing. "Thank you," she finally manages to say. "Come on. You're done here." The figure stands and Argus follows. Just a few meters away is a ship, and Argus rushes onboard. The figure appears with a blanket, wrapping Argus up the way a mother would their child. "Who are you?" Argus asks. "The one you've been waiting for." The figure answers. A chipper voice calls out on the intercom, "Seal secured. Welcome to Olympus Chronicler Bors." Argus looks up at the ceiling then to the figure. "I did it?" "Well done." "That's all I needed to do?" She asks. "Almost." The figure replies. They remove their helmet and Argus narrows her eyes. This face, that voice... adrenaline enters her veins. Her heart starts pounding against the inside of her chest. The figure is human, a woman. Argus sees her own face staring back. She speaks with the same voice, but this woman is older… much older. Argus stares into the women's eyes and can almost see the end of time reflected back. The woman speaks, rubbing the back of her head as she does, "Yeah, this is awkward." "I don't understand." "We're all bound by the loop." The woman gestures to the door, "That door leads to the rest of your life. Might wanna hang on. It's gonna be a wild ride." "What about you?" "This is where we disappear." They give a playful nudge toward the door with a voice as soft as silk, "Go on."
When the young woman finally leaves, Argus let's out the tears she's been holding back. Her body aches, her mind worn and tarnished. The transport disembarks from The Olympus and sets a course for The Fever Breach. Argus composes herself and smiles at her surroundings. She takes the time to reflect on her life, the longest life ever lived by a human, if she even is human at this point. "I hope it doesn't hurt," she says. She doesn't get a reply. "Maybe mom will be there." Again, there is only silence. Chiron was always the silent type. Argus stands with her head high as the warp drive activates. She pulls out two coins from her pocket, taken ages ago from a blue planet her species once called home. "What they don't know wont hurt them." She places the coins on the dash and chuckles. "Here's your payment ferryman. Hurl me into the Breach. Today, I enter Elysium."
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So many answers! Argus sounds ... troubled. And fast. Really love all of these concepts!